Many folks remember the great bluegrass records from the 1950s and ‘60s. The power and soul of that music has won the hearts of people across the globe. Few bands have come along in recent years that directly draw their influence from that classic era of the music’s history. High Fidelity is a rising group whose love and devotion to that music is unsurpassed. The name alone says it all: HIGH FIDELITY. How many record albums have you seen from the ‘50s and ‘60s that bear those words? Herein lies the heart of what this group of young performers is all about.

High Fidelity formed in early 2014, and they received their first achievement in February 2014 when they took first place in the International Band Championship at the 40th Annual Society for the Preservation of Bluegrass Music of America (SPBGMA) Awards. Their brand-new debut record, which was recorded live and in one room with minimal isolation, has been critically acclaimed.

The band consists of five stellar musicians and singers who are steeped in the sounds of tradition and outstanding in their field. Jeremy Stephens is the guitarist and lead vocalist for the group. He has worked as guitarist and singer for the world-famous gospel group The Chuck Wagon Gang, as a multi-instrumentalist on the television show Ray Stevens’ Nashville, and most recently as a banjo player and singer with Jesse McReynolds & the Virginia Boys. Corrina Rose Logston is the fiddler and first harmony vocalist. She has worked as fiddler and singer with a who’s who of today’s traditional-based bluegrass performers, including David Peterson & 1946, Jesse McReynolds & the Virginia Boys, Chris Henry & the Hardcore Grass, and Jim Lauderdale. Kurt Stephenson handles the banjo duties and second harmony vocals. He is the 2010 National Bluegrass Banjo Champion at the Walnut Valley Festival in Winfield, Kansas, and is a staple performer of the greater west Tennessee area both as a sideman and with his own band, Stone County Connection. Vickie Vaughn is the bassist for the group. She has worked in recent years with Patty Loveless, The David Mayfield Parade, Valerie Smith & Liberty Pike, and she also fronts her own group, The Vickie Vaughn Band. Daniel Amick plays mandolin. He has won numerous contests and has worked most recently with Kody Norris & the Watauga Mountain Boys and Kenny & Amanda Smith.

High Fidelity draws much of their inspiration from bands like Don Reno & Red Smiley, The Stanley Brothers, The Louvin Brothers, Jim & Jesse, and a host of lesser known regional artists from the same era. Many have described them as the new Johnson Mountain Boys, interpreting classic era bluegrass through the fresh, young perspective of today’s generation. Maybe it is this quality that makes High Fidelity so warmly received and widely loved by every audience they perform for – both by the grandparents and the grandchildren.

http://highfidelitybluegrass.com

https://www.facebook.com/highfidelitybluegrass

Great musicians will always find a way to make good music, but for great musicians to make great music, they must form a bond – one that, more often than not, goes beyond the purely musical to the personal. For The Grascals, that bond has been forged at the intersection of personal friendships, shared professional resumes and an appreciation for the innovative mingling of bluegrass and country music that has been a hallmark of the Nashville scene for more than forty years.

Their cutting-edge modern bluegrass is delivered with a deep knowledge of, and admiration for, the work of the music’s founding fathers. Timely yet timeless, The Grascals make music that is entirely relevant to the here and now, yet immersed in traditional values of soul and musicianship. It’s a unique sound that has earned three Grammy® nominations and two Entertainer of the Year awards from the International Bluegrass Music Association, as well as national media attention that seems to perpetually elude acts entrenched in niche genres. Such appearances include The Tonight Show with Jay Leno, Fox & Friends, The Late Late Show with Craig Ferguson, and CBS’ The Talk. All the while, stages that represent the strongest bastions of tradition continually welcome them, as evidenced by the over 150 performances on the Grand Ole Opry. Honors also include performing twice for President George W. Bush and at President Barack Obama’s inaugural ball at the Smithsonian.

As their records prove, The Grascals’ rare musical empathy gives them an unerring ear for just the right touch to illuminate each offering’s deepest spirit – whether they’re digging into one of their original songs or reworking a bluegrass classic or a pop standard. Take for instance, fan favorite, “Last Train to Clarksville.” Non-bluegrass listeners enjoy a new take on a familiar song, while diehard bluegrass audiences who may have never heard the Monkees classic, respond in-kind, not even realizing that the song has been Grascalized.

https://grascals.com

https://www.facebook.com/grascals/